Between visible and invisible
THE DEPARTED
By Martin Scorsese
Cathedral in the desert of the forms of pedagogically-correct, poetical and absurd, at the border of the Saint Agostinian confessions, may at times prickle dilating the run of the screen with its sharp edges, camera lucida, existential and splatter blueberry juice (or cassis?) – but there’s no trace of the egocentric suspension of belief of Pulp Fiction. A deliberated trial on inter-subjectivity within the tale, released with rhythm, brutal sense of the thing, hidden here and there, a part. Logarithm à l’écran, that makes its callow youth as a film barber, with violins and garages, neoreal_retrò. To the boundaries of Miles Davis, èscalier pour l’echafaud, musics disappears in the archi-text-cinema and you perceive only the skinned darks of the bass drum of Nicholson. Amabile gesture of challenge, that seems to enhance light and darks of the black comedy, but to Maupassant, as everything, in the end, chapters at it’s own tempo, like every ludicrous, odious of crime.
Within visibility and unvisibility, fixed vanitas or moving fugue, DiCaprio merges like the guardian of taboos of our next generation, while Damon seems to grab heavily his Hessian etymon. Differences that may fit in a film tool-bag for the next five years.
.............................................
Just few days later I've seen Dejavù,Tony Scott film and it was frightening how it seemd like it came from the same bakery... the same lab or closer as efforts of modelisation and as screen theory. It sounded, in a certain manner more spiritual - and the accent seemed well matched to garantee a certain cooperation - You can't think how I was delighted by the fact that photography-media is gaining such a curious theoretical attention now that we all seem to be drawning by pixels... even as teachers in schools!!! where You can't expect to be defended by a minor and his cell...in case of adeversity of whatever kind...and is curious because I thought it should have been my task! here is the world! these youths that transcend a part to understand the other!
About the film I would say:
Une semiotique tensive du pixel qui parle la langue des anges...!
Nessun commento:
Posta un commento